Posts Tagged ‘Harry Potter’

The Lego movie is a CGI film from Warner Brothers based on the toy building blocks of the same name. The story is about a Lego builder man named Emmet who lives a completely ordinary life as a construction worker. He follows his daily instructions on how to live a happy life. His favorite song is the pop hit “Everything is Awesome,” and his favorite TV show is the popular “Where’s my pants?” He works as a construction worker demolishing buildings that aren’t built according to instructions/that are weird, and rebuilding them the right way.

One day he meets a woman named Wyldstyle, and accidentally finds a mythical piece of resistance.The piece of resistance is said to be able to stop President Business, who rules the world they live in. President Business believes in order and everything being in it’s proper place, and secretly has a plan to keep things in permanent order. Wyldstyle and Emmet join the Master Builders, a group of characters that can build anything without needing instructions, and try to stop President Business.

So the central conflict is between structure and spontaneity, however it’s not cut and dry. The disadvantages of 100% spontaneity are hinted at, and Emmet realizes that victory can only come about through a balance between the two. Some interesting philosophy from a movie one can dismiss as a mere toy commercial.

At the end of the movie you find out what’s really going on and it’s very meta. The animation is great and it’s a highly enjoyable movie.

One of the coolest things about the Lego movie is all the licensed characters that appear. Warner Brothers’ DC comics characters appear, Batman having a supporting role. One of the funniest and surprising moments came with the arrival of Star Wars characters Han Solo and Chewbacca in the Millennium Falcon. We see Star Wars characters on screen with DC comics characters, and the crossover potential for future installments is huge. The characters that appear are as follows;

DC comics characters Batman, Superman, Wonder Woman, and Green Lantern.

Michelangelo from the Teenage Mutant Ninja Turtles.

Gandalf from Lord of the Rings

Dumbledore from Harry Potter

Milhouse from the Simpsons

From history Abraham Lincoln and William Shakespeare

Pop culture, Shaq, the Statue of Liberty

Then there’s more generic characters like Mermaids, Knights, and Cowboys.

Here’s to future installments.

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Century 2009 concludes the century trilogy, where Mina Murray, Alan Quatermain, and Orlando find the Moonchild/Anti-Christ that we’ve heard about in the last two installments. The climax of this story leaves us with interesting questions about the nature of the world of LXG, this world’s potential, and Moore’s own view on contemporary culture as well as creative issues in the comic book community.

Before that I want to mention a few pop culture references. We see a grown Jack Nemo threatening to start WWIII. We also get a 90 year old James Bond (a despicable man we met in the Black Dossier) now suffering from cirrhosis, emphysema, and syphilis. He’s kept alive to suffer as punishment to those he’s wronged before. We also get a glimpse of J3, and J6, basically the Bond’s of Roger Moore and Daniel Craig.

Back to the main story. The gang finds out that the Anti-Christ, for all intents and purposes, is Harry Potter. They go to what is essentially Hogwarts where it’s revealed that Harry Potter’s adventures were all arranged to get him ready for his destiny. Potter is not at the school now, the final battle takes place at his home.

The gang fights off Potter but it’s not going so well when, a character who is basically Jesus Christ shows up to save the day. So we get Harry Potter vs. Jesus Christ.

From a Christian perspective, could this be considered blasphemy? This brings to question the dynamics of the world of LXG. In the closing monologue of Black Dossier I believe it is suggested that some of the characters know they’re in a world of fiction. When Mina and Orlando arrive at Hogwarts the land is in ruins, and the two characters speculate that this area is like London’s dream-time  and that there could be a symbiotic relationship between the worlds of fiction and the real world. Mina says “maybe this magical landscape mirrors the real world.”

Orlando supposes it could also be the opposite. Saying “If our magical landscape, our art and fairy-tales and fictions… if that goes bad, maybe the material world follows suit.”

Back to Jesus, during the battle the Jesus character says “I have many great responsibilities,, foremost amongst these , however, is my concern for children. I am concerned regarding their wellbeing, and the healthy development of their imaginations.” Could it be that Jesus entered the world of fiction to save it from a pop culture Anti-Christ?

Another notion I would like to address, something I saw coming, was the view Alan seems to have of modern culture. Part of this is covered in a previous blog here https://jemurr.wordpress.com/2009/04/26/death-of-the-imagination-not/

Years ago Alan was quoted as saying (the full quote is in the link above) that this LXG story would be about the decay of the imagination. Mina in this story says “It’s not just the poverty, people were desperately poor in 1910. But at least they felt things had a purpose. How did culture fall apart in barely a hundred years.”

Orlando answers, “By becoming irrelevant, same as always.”

The irony is Alan Moore openly admits to knowing very little of contemporary culture. In this article linked below, which I also quoted in the above blog

http://www.comicbookresources.com/?page=article&id=20812.

he says.

“I know absolutely nothing about contemporary culture. I am cut off from most inputs. I’m not connected to the internet in any way, I watch very little television.”

It is interesting to consider that Victorian England and England of 1969 in the world of LXG were both so vibrant, rich, and lively, and Moore’s world of 2009 is bleak and depressing. Yet he admits knowing little to nothing of today’s culture. You could make the argument that the League of Extraordinary Gentlemen is the height of Baby Boomer arrogance, that it proclaims 1969 as the epitome of Western Popular Culture, and following that everything fell into oblivion.

On a less serious note, the saga of LXG is basically the story of British popular culture. There’s nothing wrong with Moore writing what he knows, and he certainly knows this. However I would have liked to have seen this world incorporate other popular culture as well, such as that of Asia, and naturally America. Planetery did a great job of this. Also, after Watchmen, Moore grew tired of writing super heroes. Caped adventurers did exist in the world of LXG, but they were more of an annoying fad. It would have been fun to see a good superhero adventure set in this world.

Finally, Harry Potter is the Anti-Christ and fights Jesus Christ, but no one should be allowed to touch Watchmen….