Posts Tagged ‘Movies’

Rocky IV premiered in 1985, a period which was arguably peak American culture. This time capsule of 80’s bombastic-ness transports Rocky from his first film’s mean Philadelphia streets to the Soviet Union; where he fights the near superhuman Ivan Drago in what is simply the greatest fight in cinematic history. In 2020, looking for something to do during Covid lockdown, Stallone decided to retool this now classic of 80s cinema, the result is Rocky IV the Director’s Cut, A.K.A. Rocky vs Drago. In this cut, he adds some humanity to his monstrous opponent, and dials back the over-the-top nature of the original film.

Most Rocky’s open with an exciting recap of the previous film’s fight set to a rousing score, such as Survivor’s Eye of the Tiger. Here we open to the much gloomier moment of Rocky getting knocked out by Clubber Lang. Cut to the beginning of Rocky’s friendship with Apollo Creed leading up to the rematch and finale of Rocky III where Rocky regains his title, ending not with Eye of the Tiger, but Sweetest Victory, from the original ending of IV. This recap of Rocky III takes up the first 6-7 minutes of the director’s cut; and establishes the friendship with Rocky and his former opponent Apollo Creed.

Just as in the original, Apollo is now swimming in his pool while seeing news of Soviet boxer Ivan Drago coming to America. This is followed by the first actual new footage of the director’s cut. Rocky and Apollo talk outside of Rocky’s mansion, where Rocky reveals that the boxing commission was approached by the Soviets about an exhibition bout with Rocky. At the time, Rocky was hesitant, telling them he’d think about it, feeling he didn’t have to do it if he didn’t need to.

While playing around with a football, possibly a nod to Carl’s real-life stint as an Oakland Raider, we get more insight into Apollo’s motivation for wanting to fight Drago first. Apollo sees this potential fight to be not only against Russian propaganda, but as a great historical moment that he wants to be a part of. This is followed by the original scene of Apollo talking with Rocky’s family inside the house, with the addition of Adrian talking about medieval armies fighting to the death, illustrating the intelligence she had in the first movie. There is also a new scene where Rocky and Adrian talk in the kitchen. Adrian can see through Apollo’s hubris, realizing not only that Apollo is afraid of being forgotten about, but that this is something her husband will face one day as well.

Stallone recently said he now regrets having killed off Creed in Rocky IV. It is interesting to think how the rest of the franchise would have carried on with a living, but wheelchair bound Apollo. Of course, Apollo still dies in the director’s cut, but he is shown as putting up more of a fight, even in the second round after he has already been badly beaten.

One of the subtle but more significant changes is that Rocky is not asked by Duke to throw in the towel. In the new cut, Rocky picks up the towel but drops it just as Apollo is dealt the fatal bow. His motivation now is not guilt, but a belief in a warrior’s code that Apollo had previously expressed (Adrian’s previous insight is apparently ignored). This is followed up on during Apollo’s funeral, where his trainer Duke gives a eulogy of how the warrior has the right to decide his way of death. Rocky follows this not with his somber speech about how Apollo always did things the way you wanted, but with a few wailing lines about how Apollo gave him a chance. What Rocky says makes sense, he owes everything he has to Apollo, who believed in him and gave him a break when no one else would. The problem is in 1985 Stallone wasn’t an actor anymore, and what should have been a very moving scene is instead cringeworthy.

Now we’re off to the Soviet Union for the two training montages, where it’s revealed that Rocky did in fact plan to spar, but the Soviet’s conveniently forgot to provide sparring partners (we do see him hitting a heavy bag in a training montage). This was a nice touch, showing his opponent’s home country purposely trying to screw Rocky over in training.   

The director’s cut of the fight itself remove the sins of the original in that we don’t see punches that obviously missed scored with a shotgun blast sound of impact. Here the sound effects are scaled back and the editing is redone as to not show missed shots having an impact. There’s also more commentary about Drago being younger than Rocky, adding to the champ’s underdog status. Before the last round the ref threatens to stop the match. Nothing comes of this of course, but the ref also almost immediately calls the match after Drago is knocked down, not even bothering with a ten count.

Drago’s wife is almost absent from this cut. Her sincere lines about the threats on her husband’s life and her wicked smile during Apollo’s death are inexplicably cut. Drago’s promoter Nicolai Koloff does have a few lines adding to his already great performance. We learn that the Balboa Drago fight will take place in Russia partly because they believe the fight would not be scored properly in America. There’s more of an emphasis on how the Russian’s really wanted Drago to face Rocky first, and we see see Koloff’s isolation and can sense the looming consequences he will face once Rocky is victorious.

There is an attempt to humanize Drago, as he is portrayed more as a tool of Soviet propaganda as opposed to a superhuman monster. His punching demonstration to the press is shown, but without the context of him being stronger than average boxers. We can see that he wants to speak for himself; and does not care for his superiors speaking for him. He has more charisma, openly mocking Apollo during their match. After killing Creed, he adds to his after-match speech that soon everyone will know the name of Drago, and we see via a reaction shot that his superiors don’t approve of Drago going into business for himself. However, there evidently wasn’t much more of anything filmed of Drago to add to his character. It would have been nice if they’d subtitled whatever was said to him right before the Apollo match. It’s also too bad they didn’t film more dialogue of Drago’s training, as this would have helped Stallone’s intent in recutting this film 35 years later.

Rocky vs Drago has about the same run time as the original. While there are a few short new scenes, most of the “new footage” is simply different takes and re-edits of the scenes we already know, such Rocky and Apollo’s conversation while watching their rematch, Adrian telling Rocky he can’t win, Rocky’s talk with his son (who we don’t see again) and Rocky’s post fight speech are abbreviated and shown with different takes. I’m unsure why Sly felt the need to shorten these scenes as it just makes them all feel rushed and less meaningful. Also, this angle of following the warriors code does not seem as interesting as the guilt Rocky felt in the theatrical cut.

Rocky IV was the first film in the series not to use Bill Conti, opting for composer Vince DiCola, whose score added to the otherworldly feel of this entry. The director’s cut insert’s traditional Conti compositions over certain dramatic scenes in an attempt to make this sequel feel more like the previous films. It also ends with Eye of the Tiger, trading places with Sweetest Victory which is now played at the end of the Rocky III recap. These changes make Rocky vs Drago feel more like the previous films, but there-in lies the problem. Rocky IV was not just another Rocky film. The complete absurdity and over the top nature of Rocky IV at the mid-point of Reagan’s America is exactly what made it work. One can’t possibly scale back all of Rocky IV’s bombastic-ness, but in making the attempt, it takes away from what made the original special in the first place.

No one knows Rocky better than Stallone, but I have to disagree with the creator on most of this cut. Artsy types romanticize the lone artist’s creative vision, but movie making, perhaps more than any other medium, is a collaborative art. Sometimes the lone creative vision isn’t the best one. See George Lucas’s Star Wars prequels or Rob Zombie’s Halloween II for examples, and I feel you can add Rocky vs Drago to that list. While Rocky IV’s Director’s Cut has some interesting additions, I wouldn’t recommend it to anyone other than a diehard Rocky Fan.

For my review of the original Rocky IV, click here.


(Originally Published on Myspace on 5/12/2007, updated 5/6/2013)

Transformers 3 was by no means a great movie, but it amazed me in that, being the third entry in the franchise, it was the best in the series. (Not that that’s saying much). It reminded me of an old idea I’d written about a while back on myspace. Said idea is as follows.

It seems to me that many times, especially with big franchise movies, the third entry in a film series is a stinker, not as good as the first two, or at least the point where it starts to go downhill. Why this is, whose to say, plus it’s kind of objective anyway. Especially with big budget series like Spiderman, there is so much money involved and so many people with input on what should be done, that it must be hard to sustain creativity and quality across three entries. There are exceptions of course, and if a real movie buff took a hard look at it they might see it differently. Either way here’s is a list off the top of my head of film series which suffer “The Curse of the Three”.




Die Hard

Friday the 13th

Iron Man


Paranormal Activity






Texas Chainsaw Massacre

Feel free to add your own, disagree, or whatever.

Happy thirds.

In 2006 Sylvester Stallone  released Rocky Balboa, which was about the idea that you can still have something to offer no matter what your age. Stallone lives out this idea by adding a potential third franchise to his career in the Expendables. The Expendables is the all star action fest, written, directed and starring Sylvester Stallone. The cast includes Jason Stathem, Jet Li, Dolph Lundgren, Randy Couture, Steve Austin, Terry Crews, Mickey Rourke, and Bruce Willis, a virtual whose who of action stars. Arnold Schwarzenegger also has a cameo, marking the first time Sly and Arnold ever appeared on screen together.

The Expendables are a group of mercenaries recruited by the CIA via Bruce Willis’s character to take out a dictator of a banana republic. After Sly and Stathem run a reconnaissance mission on the island they turn down the job, but then have a change of heart. Sandra, their contact on the island, (conveniently a hot island girl) could have escaped with them but wanted to stay with her people. So the band gets together and goes to the island for reasons of justice.

We get a tiny bit of characterization for some of the characters. Lundgren developed a drug problem as the mercenary life is getting to him. Couture seems to have some mental issues. Jet Li wants more money for unknown reasons. Stathem has an estranged ex girlfriend. Stallone’s character is laid back, cocksure, an opposite to his more brooding, dark character of Rambo. Mickey Rourke carries the emotional weight of the movie. He has a great speech about redemption and how dark his soul is, which is the high point of the movie.

The scene with Arnold is funny where he and Sly trade one liners. Their characters in the movie don’t like each other, and hopefully will go at it in a sequel. The scene is for exposition, where Bruce Willis explains the mission. Arnold passes on the job, and the only reason he’s in the scene is because he’s Arnold and we finally get to see him on screen with Sly and Willis.

Needless to say the action is furious. Lots of gun fights, knife fights, brawls, car chases, etc. The problem is as fun as it is to watch there’s little to no tension. Anyone watching this kind of movie has grown up watching movies like Rambo and Commando, where one guy takes on an army. If Rambo can take on an army all by himself, what chance does the army have against five Rambos?


This brings me to another problem, that none of the heroes die (Or even get hurt that much). Half way through you think Dolph Lundgren dies, but he survives. Mickey Rourke doesn’t see any action, but there was one part of the story where he should have been killed. That would have further cemented his emotional weight of the film.  The only big name actor that gets killed is Austin, who is one of the villains. I thought maybe Coutre would die at least because his character was developed the least. They needed two or three other big name actors to play villains to add some tension.

It is simply amazing to see Sly still in action at 62. (He easily passes for a man in his 40s) If this indeed turns into a franchise, he may be the only actor star in three major franchises. (Rocky, Rambo, and Expendables) Again the action is fun, but the end result felt disappointing. Some of the special effects were real bad, like the opening scene with the laser sighting and the guy getting blown apart by a shotgun. Also in the end Austin’s death looked real bad, as did some of the building explosions. Fun but disappointing, 6/10.