No Gein II: A Second Helping. Chapter Two

Chapter Two: Terror Remade

Mann’s Chinese Theater, Hollywood California, August 15th, 2003

Paparazzi crowded the approaching limousine which was soon bathed in a sea of flashbulbs. A beautiful blonde woman stepped out of the limo and waved to the cameras. As the lens of one particular camera zoomed in on her, the man behind the lens admired her dress, but wished it exposed more skin the way other starlets had. At least the dress exposed her back, which is where her partner placed his hand as he nervously waved to the cameras. The cameraman didn’t recognize this couple and could tell no one else did either as the sea of camera flashes quickly faded away. As the couple slowly walked the red carpet, it was obvious this was a new experience to them. “Who is that?” The cameraman asked Vanita, the reporter he was accompanying. “She’s gorgeous.”

“I think that’s the director’ s sister.” the woman explained. “The square must be her husband.”

“Yeah, like I care who the dude is Vanita.” 

“Just shut your mouth and keep recording.” Vanita ordered as an older couple stepped out of the same limo. Once again, the woman, an older but still attractive redhead, also in a conservative dress, waved happily to the crowd, while her partner, who was dressed to the nines, timidly ignored them.

“That’s the director’s dad and I think his new wife.” Vanita explained.

“Wasn’t asking.” The camera man said.

“You’re going to be asking for a new job if you don’t lose the attitude, Bill.” Vanita did seem extra bitchy tonight, but Bill understood why. She hadn’t gotten a big scoop in a while, and Bill knew how fickle this business was. He also knew Vanita feared getting the axe if she didn’t hit a big story soon.

Another wave of camera flashes swept the area, this time maintaining their intensity as a young man emerged from the same limousine. He posed to the crowd with a confident smile and a voluptuous woman on his arm. “Now that’s what I’m talking about!” Bill shouted as his lens zoomed on the woman’s exposed cleavage, he then moved the camera up and down her body, allowing his lens to capture all the exposed flesh her dress revealed. Billy was quickly yanked out of his own private fantasy by Vanita’s voice shouting “Let’s go!” 

Vanita shoved through the sea of reporters all making their way to the young couple. She almost reached him when another reporter pushed ahead of her and got the man’s attention. “We are with George Kohler, the director of tonight’s world premiere.” The reporter said. “George this isn’t your first rodeo, but are you confident about how your audience will receive this?”

“You’re right, this isn’t my first rodeo, but honestly, I am always nervous whenever a project is done.” The young director humbly answered. “I never assume anyone will like it. The original film is such a classic in the eyes of horror fans, and I hope I have done it justice.”

“Early buzz is this film is quite scary.” The reporter followed up with his next question. “Your name is fast becoming associated with the horror genre. What is next for you?” 

“Well,” George said looking over the crowd of spectators, “this is all great and I really do appreciate it, but I’m going to the set of my next film tomorrow and getting right back to work.”

Finally, managing to squeeze her way through the crowd, Vanita reached George. “Vanita Williams, Inside Entertainment. Word is you’ve added elements of cannibalism and other shocking content to what you refer to as a classic. There is already some controversy surrounding this film, as some say this was inspired by the late Wisconsin serial killer Jeffrey Dahmer.”

Billy loved it when Vanita got under someone’s skin. He smirked as he could see George’s face instantly shifted from being happy go lucky to irritated and stern as he answered, “Dahmer was a sick man and I in no way took influence from him. This movie is a period piece, and I hope it lives up to the original and the legacy it left for so many of us.” Vanita had one more question, and she knew this one would be the killer.

Henry was used to keeping stuff to himself. All that changed when Franki came into his life, as well as when he reconciled with his son a few years back. Now here they all were at a Hollywood movie premier, something he couldn’t have even conceived dreaming of during all those years he worked at Bethlehem Steel. As he watched George taking questions from reporters, Henry thought how things happened so fast and his son had been so busy that he never got to tell George how proud he was of him. 

“He looks a little upset?” Franki whispered in his ear while squeezing Henry’s hand. When he looked, he could see George did appear a little agitated while storming away from a reporter. 

As George and his date approached his family at the entrance to the theater his father asked, “What’s wrong son, that reporter piss you off?” Then, laughing, he added. “They didn’t say jack shit to me!”

Holding his date’s hand tightly, George answered “I’ll tell you later.”

Entering the theater, George felt more nervous than usual. Since cutting weight he felt more capable of dealing with all the stress the film business has to offer, but he put extra pressure on himself tonight. This latest project was a lot to live up to. Beads of sweat formed on his forehead as he pulled out a handkerchief to wipe his face. “You’re sweating again.” His date said sternly as they sat down. Her nagging only heightened the tension as he looked around at the packed theater. 

While the lights dimmed, George remembered the breathing exercises Franki taught him, breathe in, breathe out, focus on what is right in front of you, be present in the moment. In this moment, the curtains pulled back, and a beam of light shot through the darkened theater splashing on the white screen ahead.  Soon the color switched to green as an MPAA rating was shown for the upcoming trailer. 

“1980,” the white letters read on the now black screen, “Fear was born…” These words faded, before being replaced with, “1980,” which in turn was replaced with, “The nightmare began…”

“Yes!” George pumped his fist while his date looked at him confused. “I heard this was coming!”

A series of images involving blades and claws flashed by the screen before words reappeared reading “2003,” then, “The legends come together.” 

“Warn your friends,” the voice of a little girl now filled the theater, “warn everyone.” Then the words “face to face” appeared. 

The whole audience cheered as Kane Hodder burst onto the screen as Freddy Krueger, the villain from the Nightmare on Elm Street series. The tall muscular actor spouted out lines, “Welcome to my nightmare.” and “Why won’t you die!” as he battled what appeared to be a vicious monster. 

“This Halloween,” the screen read, “evil will battle evil.” before a female character appeared saying “Place your bets.” According to the end of the trailer, on October 17th, after years of the characters being in literal hell and, what was worse in the eyes of fandom, Hollywood development hell, Freddy vs the Devil would finally be released. Paramount’s crossover film between Nightmare on Elm Street and Friday the 13th would at last see the light of day. George yelled out a cheer that the rest of the theater soon followed. He was almost as enthusiastic for this as he was for his own movie premiere. Earlier, when asked outside what was next for him, George was hesitant to say what he really wanted. In the darkness of the theater, he spoke aloud what was his true wish. “Someday I’ll direct one of those.” George proudly stated while his date checked her makeup in her pocket-sized mirror.

Other trailers followed, and part of George wished these previews would go on forever. As the feature presentation was about to begin, he felt that anxiety creeping back up on him. His heart raced as the studio logo hit the screen. This was it, the moment of truth. George remembered Franki’s advice of being present in the here and now. He concentrated his whole attention on each second of the now rolling film. As the introduction commenced, he remembered how thrilled he was when he managed to get John Larroquette to reprise his role as the film’s narrator to the opening crawl. The actor, now known for his role in the 80’s sitcom Night Court, explained what the audience was about to see was one of the most bizarre crimes in the annals of American history. It wasn’t really a true story, but that added touch always gave this title an extra sense of dread. Adrenaline washed away the anxiety while the audience cheered again for the opening of this highly anticipated remake, The Texas Chainsaw Massacre.