Posts Tagged ‘Comic Books’

1986’s Transformers the Movie killed off much of the original cast of the popular television cartoon, including fan favorite Decepticon Starscream. The movie, taking place in the then future year of 2005, also set the stage for season three of the Transformers cartoon series in the fall of 86. The ninth episode of season three featured Starscream returning as a ghost, a ghost who would reappear in subsequent episodes. This is possibly the first time robot ghosts have appeared in fiction, and provides a premise for a 2020 crossover with another popular 80’s franchise, the Ghostbusters.

Transformers Ghostbusters: Ghosts of Cybertron establishes a brand new reality for the Transformers. Opening in Cybertron’s past, the Autobots have fled Cybertron, but, in a deviation with traditional Transformers lore, the Decipticons did not follow. Remaining on Cybertron, the Decpticons encounter a robot form of the Traveller, complete with two robotic hounds. The Traveller is a herald of Gozer, the villain from the first Ghostbusters film. After a sequence reminiscent of the Stay Puft Marshmallow Man scene of the first Ghostbusters, Cybertron is legitimately destroyed and the Decipticons are dead.

The main character of this crossover is a new Autobot created just for this story. Ectronymous Diamatron is an Autobot scientist, who objects to his fellow Autobots calling him Eck for short. A thousand years later (Not four million years later as in the original cartoon), the Autobots are still travelling the universe via their spaceship the Ark. Ectronymous finds a Cybertonian signal on planet Earth, and is soon sent by Optimus Prime to investigate. 

Coming to Earth, specifically New York City,  he encounters the Ghostbusters, whose car has been totaled while trapping a ghost. The Autobot scientist uses his transformation abilities to turn himself into the Ghostbusters car, and soon becomes known as Eco-tron. Optimus Prime soon joins him, and after getting graphittied by 80’s cartoon punks he gets a new white paint job to match Ecto-trons look. Both get Autobot sized proton packs from their new allies, who all encounter the ghost of Starscream. The Decepticon has teamed up with a villain who is a deep cut into the original 80’s Transformers Cartoon

The art style reflects the original Transformers A.K.A. Generation One cartoon, but the Ghostbusters are drawn in the style of the more current comics. I’m curious why they weren’t drawn in the style of their own 80’s cartoon, perhaps there was some rights issue.

Ghostbusters mythos isn’t as deep as TF but there are a few callbacks to Ghostbusters 2. The painting of Vigo appears, and the mood slime actually plays a small part of the story. Fan favorite slimer briefly appears as well. A few Autobots talk about not being afraid of ghosts, and when encountering Megatron, Prime’s hand turns to the yellow axe to match Megatron’s ball and chain, which is something they did early in the old cartoon. The Quintessons appear in statue form during the opening sequence. Another amusing easter egg is Winston making a joke about G.I. Joe.

The crossover ends with a new status quo, with Optimus Prime actually hoping to reform the ways of the Decepticons, and Eco-tron hoping to find other spirits of dead Cybertonians. With a new status quo, new reality, and a new Autobot character, the Transformers Ghostbusters crossover works surprisingly well, and I would look forward to more stories in this 80’s crossover reality.

If you enjoyed this crossover review, click here for an interview with Erik Burnham.

Classic Horror Comics: Curse of the Mummy’s Stone is now available digitally. Written by me with art by Sarah Benkin, who also drew Shock Value for my website. 


Relive the Golden Age of Monster Movies in Classic Horror Comics: Curse of the Mummy’s Stone. Famed American adventurer Howard Rider uncovers an ancient mummy’s tomb. While it may seem like just another day of adventure, what is he really looking for, and what deadly forces lurk behind his find? Classic Horror Comics simulates seeing a monster movie during Hollywood’s Golden Age, complete with pre-show news footage before the black and white feature presentation of terror!


It’s been a little over one year since I launched my website Hard Coal Studios A lot had preceded that moment and a lot has followed since.

For years I’d wanted to make comics and do other projects as well, but with comics the biggest obstacle was I’m not able to draw. Many times over the years I’d met people and had the old “Let’s make a comic book” conversation and it never went anywhere (with the exception of one time I met someone who I did a mini comic with back in 2005).

Long story short but I ended up teaching in Korea in 2006, and after staying there a few years realized that someday when I come home to America I’d have some money saved up and would maybe be able to get some projects done. This got my gears turning and I started making plans. Almost every year I was there I thought next year I’d be coming home. During the spring of 2009 I started working on a poetry manuscript that I assumed I’d be publishing soon.

Over the years I’d always written more poetry than prose, but after re-reading the Frankenstein novel I had an idea for my own Frankenstein story. I started working at that, but sometimes it was coming slow. One problem I often had was trying to do too many things at once. It was fall of 2010, a few months prior I discovered an MMA gym near my home and I was excited that they had a cage. I’d been going there a bit strictly for fitness, and before class I’d go to a PC room to attempt some writing. I was able to write a bit, but this schedule wasn’t working for me. The year was coming to a close and I figured I’d only be in Korea another year and a half or so. My goal was to finish this story before the end of the year, but something had to give. I realized I needed to give up the gym and just go home and write every night. (Plus let’s face it I’m not going to be a cage fighter. That ship has sailed lol)

Lots of people talk about writing and being a writer but one of the hardest things is actually writing every single day. It was a moment of clarity to realize that this really is what it takes. Coming home every single day after work and writing for hours, reading, revising, not goofing off, etc. And this was just for a seventy-some page story. But the year came to a close and my story was done (along with another project or two actually). It was one of the most satisfying experiences of my creative life.

At the end of the year I realized I would in fact be leaving Korea in about 9 months. I had my prose and poetry done, but what about my comics? I’d written various comic scripts/ideas over the last few years, and had another occasion or two of “Let’s make a comic” that went no where. So I still needed a comic. A few years prior I’d heard about Andy Schmidt, former editor at Marvel Comics and IDW, who also once taught college. He started classes in New York City specifically for writing for comic books. There’s tons of writing classes but nothing like this was ever done. I’d actually planned to take these courses but then realized they were now offered online. Spring of 2011 I took the intro course, (Comics Experience btw) occasionally my students would see me on my computer watching the class and were excited to see and wave to people on the other side of the world.

After getting a few sites recommended to me I placed an ad online for a comic book artist. I literally got over 100 responses. I wanted to be professional and responded to all of them. Many great artists contacted me but I could only pick one. I contacted my choice and emailed the others thanking them for their submission. One memorable response was something like “Well I guess you don’t want cool art and cool storytelling.” I wrote back reminding them to be nice to the people they see on the way up, because they’ll be seeing them on the way down.

In October of 2011 I left Korea. The week after I got back I went to the New York Comic-con, one of the bigger shows around. If I really wanted to I could have sold my book here, but I really wanted to attend this as a fan. I’d never been to a show this size. I finally got to meet and shake hands with Stan Lee, along with many other creators I liked. It was a blast. Even aside from the show I was just thrilled to be back in New York City. I also made contacts with some podcast people, and met Andy and others from the class.

One thing I hadn’t given thought to was web-comics. I always wanted to have a web-comic but again it was the same old. In NYC I attended a panel to pair up writers and artists. It was here I met Sarah. I told her about my comic, which was in the style of the old monster movies. She also liked those and we really hit it off. Thus Shock Value, a humorous monster strip, was accidentally created. My website now had a web-comic.

Another panel I attended was the standard “How to Break Into Comics” panel hosted by the head guys at Marvel Comics. The short of it was self publish, do the convention circuit, give it ten years and maybe you have a chance. That advice wasn’t discouraging on the surface, but what was discouraging was hearing this in 2011 at the age of 34, and remembering 11 years ago asking someone to make a web-comic with me to no avail. We can’t live backwards, but we also can’t help taking a moment to wonder what could have been.

Back home I started bringing it all together. One day in late 2011 my comic was finally printed. Many people suggest for writers to start out with small 5 page stories and/or something online. Maybe it’s because of my age and not growing up with web-comics, but I just needed to have a regular comic book in my hand that had my name in it. And now it was finally done.

Another ad and another 100 submissions to find an artist for the cover of my Frankenstein book. The first submission was the best one. Soon Frankenstein and my poems were also in my hands. Surprisingly enough just before Christmas a friend from Korea whom I’d had one of those “Let’s make a web-comic” conversations with emailed me out of the blue with a complete set of a finite web comic series we’d talked about years ago. Synchronicity again.

Everything was set and one day soon after the new year I officially launched the site and put the link on my facebook. That spring I would have four weekends in a row doing signings. I did shows in Chicago, Pittsburgh, and MOCCA in New York, where someone from the Poet’s House took a copy of my poetry book for one of their exhibitions. The weekend after that was Free Comic Book Day at my local comic shop Legendary Comics and Tea Room. That June I did Heroes World in Charlotte, before being featured reader at my old poetry group in PA, and doing hitting a poetry club in Charlotte I used to go to. Along the way I was also interviewed a few times on podcasts and youtube shows, they were lots of fun.

All in all I was happy to finally be doing this, but the truth is it can be really brutal. Indy art is a tough game. At shows I made a point to not leave my table much and to stand as much as possible and talk to everyone I could. Still it’s long hours with stretches of time where nothing is happening for you. It’s a real endurance test. Can you take it, can you maintain this? Can you do this for ten years to maybe have a chance of getting something bigger?

I didn’t make any plans for myself after Charlotte because I didn’t know what I’d be doing with myself job wise. Another long story but I reluctantly headed back to Korea almost exactly a year after I’d left. There’s so many people that talk about doing something and never do, and then there’s people that do it once and disappear. I was no longer a talker, but I was afraid of disappearing. Fortunately I’m still able to put another comic book this year, and some other writing projects are coming along as well.

It is too bad that I couldn’t have started this ten-thirteen years ago, but we are here today. The internet is a better tool now than it was back then with social media and the like, and print on demand is a godsend to the indy artist. However, since it is easier per say to make your own media, it is even harder to stick out. The thing is you have to try. That is my personal philosophy. I can live with not “making it.” I can’t live with not trying, I have to try. It’s like the Rocky thing, the point of my favorite movie, is that we don’t have the right to succeed, but we have the right to try. As I said, it is absolutely brutal, but, as another favorite movie of mine says, “Without pain, without sacrifice, we would have nothing.”

Century 2009 concludes the century trilogy, where Mina Murray, Alan Quatermain, and Orlando find the Moonchild/Anti-Christ that we’ve heard about in the last two installments. The climax of this story leaves us with interesting questions about the nature of the world of LXG, this world’s potential, and Moore’s own view on contemporary culture as well as creative issues in the comic book community.

Before that I want to mention a few pop culture references. We see a grown Jack Nemo threatening to start WWIII. We also get a 90 year old James Bond (a despicable man we met in the Black Dossier) now suffering from cirrhosis, emphysema, and syphilis. He’s kept alive to suffer as punishment to those he’s wronged before. We also get a glimpse of J3, and J6, basically the Bond’s of Roger Moore and Daniel Craig.

Back to the main story. The gang finds out that the Anti-Christ, for all intents and purposes, is Harry Potter. They go to what is essentially Hogwarts where it’s revealed that Harry Potter’s adventures were all arranged to get him ready for his destiny. Potter is not at the school now, the final battle takes place at his home.

The gang fights off Potter but it’s not going so well when, a character who is basically Jesus Christ shows up to save the day. So we get Harry Potter vs. Jesus Christ.

From a Christian perspective, could this be considered blasphemy? This brings to question the dynamics of the world of LXG. In the closing monologue of Black Dossier I believe it is suggested that some of the characters know they’re in a world of fiction. When Mina and Orlando arrive at Hogwarts the land is in ruins, and the two characters speculate that this area is like London’s dream-time  and that there could be a symbiotic relationship between the worlds of fiction and the real world. Mina says “maybe this magical landscape mirrors the real world.”

Orlando supposes it could also be the opposite. Saying “If our magical landscape, our art and fairy-tales and fictions… if that goes bad, maybe the material world follows suit.”

Back to Jesus, during the battle the Jesus character says “I have many great responsibilities,, foremost amongst these , however, is my concern for children. I am concerned regarding their wellbeing, and the healthy development of their imaginations.” Could it be that Jesus entered the world of fiction to save it from a pop culture Anti-Christ?

Another notion I would like to address, something I saw coming, was the view Alan seems to have of modern culture. Part of this is covered in a previous blog here

Years ago Alan was quoted as saying (the full quote is in the link above) that this LXG story would be about the decay of the imagination. Mina in this story says “It’s not just the poverty, people were desperately poor in 1910. But at least they felt things had a purpose. How did culture fall apart in barely a hundred years.”

Orlando answers, “By becoming irrelevant, same as always.”

The irony is Alan Moore openly admits to knowing very little of contemporary culture. In this article linked below, which I also quoted in the above blog

he says.

“I know absolutely nothing about contemporary culture. I am cut off from most inputs. I’m not connected to the internet in any way, I watch very little television.”

It is interesting to consider that Victorian England and England of 1969 in the world of LXG were both so vibrant, rich, and lively, and Moore’s world of 2009 is bleak and depressing. Yet he admits knowing little to nothing of today’s culture. You could make the argument that the League of Extraordinary Gentlemen is the height of Baby Boomer arrogance, that it proclaims 1969 as the epitome of Western Popular Culture, and following that everything fell into oblivion.

On a less serious note, the saga of LXG is basically the story of British popular culture. There’s nothing wrong with Moore writing what he knows, and he certainly knows this. However I would have liked to have seen this world incorporate other popular culture as well, such as that of Asia, and naturally America. Planetery did a great job of this. Also, after Watchmen, Moore grew tired of writing super heroes. Caped adventurers did exist in the world of LXG, but they were more of an annoying fad. It would have been fun to see a good superhero adventure set in this world.

Finally, Harry Potter is the Anti-Christ and fights Jesus Christ, but no one should be allowed to touch Watchmen….